文献类型：期刊文献

中文题名：从王朔到冯小刚——当代社会文化转型中的审美流变

英文题名：From WANG Shuo to FENG Xiaogang—The Change of Aesthetics in Modern Social Culture Transition of China

作者：杜剑峰[1]

第一作者：杜剑峰

机构：[1]北京联合大学应用文理学院

第一机构：北京联合大学应用文理学院

年份：2002

卷号：16

期号：4

起止页码：20-24

中文期刊名：北京联合大学学报

外文期刊名：Journal of Beijing Union University

语种：中文

中文关键词：王朔;冯小刚;社会文化转型;理想主义;躲避崇高;直面俗世;后现代喜剧;人物形象;影视创作

外文关键词：idealism; keep away from sublimity; facing temporal; postmodern comedy

摘要：　经历了改革"阵痛"的中国,正在经历和完成着社会转型,在这种社会转型的过程中,人文精神一度出现失落,崇高被躲避,文学失重,产生了王朔和王朔现象,中国文化正经历着从一个乌托邦的理想主义形态,转向实用主义、现世观念和消费社会的变化,审美文化开始向世俗化转变,冯氏喜剧应运而生,冯氏影片的喜剧设计具有一定的后现代特征。从王朔到冯小刚文学创作和影视创作的发展,恰恰伴随和印证了中国社会、经济和文化转型这个复杂的过程。
After sufferied pain for reform,China has underwent and compited the transition of society.During this process,the spirit of humanism is lost.The sublimity is dodged.The literature is weightlessness.Thus WANG Shuo and WANG Shuo phenomena appear.The culture of China has been experienced change from idealism to pragmatism,the concept of temporal and society of consumption.The aesthetics began to move temporal.At this time,FENG comedy came into being.The design of comedy in FENG's movie is provided with characteristic of postmodern.The develpment of literature's and movied's creations from WNAG Shuo to FENG Xiaogang accompanied and reflected this complex process of Chinese society,economy and culture of transition.