文献类型：期刊文献

中文题名：被压抑的身体、话语与寓言:以女性自画像为例

英文题名：Repressed Body,Discourse and Fable: Take Women's Self-portraits for Example

作者：董琦琦[1]

第一作者：董琦琦

机构：[1]北京联合大学师范学院

第一机构：北京联合大学师范学院

年份：2014

卷号：44

期号：6

起止页码：108-112

中文期刊名：西北大学学报：哲学社会科学版

收录：CSTPCD;;国家哲学社会科学学术期刊数据库;北大核心:【北大核心2011】；CSSCI:【CSSCI2014_2016】；

基金：北京市属高等学校高层次人才引进与培养计划项目(IDHT201304082)

语种：中文

中文关键词：女性自画像;身体;自我

外文关键词：women’s seLf-portraits;body;seLf

摘要：女性自画像是典型的以身体为本位的艺术实践活动。身体作为自我存在的前提基础,很早便被确立为集表征、认知与叙事功能于一体的空间性存在。然而受意识形态影响,身体明显附着上了性别标签,自我形象建构的权利一度为男性所独有,由此导致女性自画像长期处于边缘地位。面对男性的感官享乐与欲望投射,女艺术家一反固有视觉习惯,对自身身体展开无"他者"在场的审视与观照。在梳理女性自画像脉络基础上,强调作为一种被忽视与误读的视觉文本,其内蕴的权力话语、历史寓言与文化镜像不仅有效规避了同一性思维及二分逻辑结构带来的弊病与缺失,且为艺术秩序的重构提供了可能。
Women’s seLf-portraits are typicaLLy one kind of art practices based upon body. As the foundation of seLf-existence,body has earLy been estabLished as spatiaL existence that sets the functions of representa-tion,cognition and narration in one. However,affected by ideoLogy,body was attached to the LabeL of the gen-der,and the rights of seLf-image constructing have once excLusiveLy beLonged to men,as a resuLt,women’s seLf-portraits have been marginaLized Long - term. Facing sensuaL pLeasure and desire - gazing of men, women artists object to the inherent visuaL habits,and examine and contempLate their own bodies without the other in presence. On the basis of reviewing the history of women’s seLf-portraits,the paper emphasizes that as one kind of negLected and misunderstood visuaL texts,its intrinsic repressed power discourse,historicaL fa-bLe and cuLturaL mirror-image not onLy effectiveLy avoid the drawbacks and shortcomings of the oneness and the binary Logic structure,but aLso provides the possibiLity of reconstructing the order of the art.