文献类型：期刊文献

中文题名：洛阳南石山唐三彩烧制技艺传承研究

英文题名：Research on Luoyang Nanshishan Tangsancai Making Skill Inheritance

作者：郝辉辉[1];顾军[1]

第一作者：郝辉辉

机构：[1]北京联合大学应用文理学院

第一机构：北京联合大学应用文理学院

年份：2017

卷号：2

期号：3

起止页码：134-138

中文期刊名：遗产与保护研究

外文期刊名：Research on Heritages and Preservation

收录：国家哲学社会科学学术期刊数据库

语种：中文

中文关键词：南石山村;唐三彩;传承

外文关键词：Nanshishan villiage;;Tangsancai;;inheritance

摘要：唐三彩是唐代的一种陶器,属于低温铅釉陶系统,这种低温铅釉陶源于汉代,经过南北朝时期的发展,到隋唐时期达到鼎盛,尤其是唐代中期,在质量和数量均为历史之最。然而,因史料缺乏记载,唐以后唐三彩的烧制技艺几近失传。清末民初,唐三彩重被发现。随后,洛阳南石山村的老艺人们于1920年前后成功恢复了唐三彩烧制技艺,并历经近百年艰难传承,于2008年成功入选第二批国家级非物质文化遗产。但如今唐三彩烧制技艺的传承面临着一些问题,文章拟从其传承环境和特点来分析问题的原因,并提出应对策略。
Tangsancai is a kind of low temperature lead glazed pottery in Tang dynasty, which is produced in Han dynasty, developed in the Northern and Southern dynasties, and thrived in Sui and Tang dynasties. Especially in the middle of the Tang dynasty, both the quality and the quantity went to the top level in history. However, due to the lack of historical data record, Tangsancai making skill was lost. Until the late Qing dynasty, the Tangsancai was refound. Then, some artists from Nanshishan villiage of Luoyang recoveried the skill of making Tangsancai in 1920 s. After nearly one hundred years later, the skill was rated as the National Intangible Cultural Heritage in 2008. But now there are some problems about inheriting Tangsancai making skill. This article will invalid the inheriting environment and characteristics to analyze the cause of the problems, and put forward the strategies.