文献类型：期刊文献

中文题名：川渝地区胡人吹笛俑研究

英文题名：A Study of Terracotta Hu Piper in Sichuan and Chongqing

作者：宋蓉[1]

第一作者：宋蓉

机构：[1]北京联合大学应用文理学院历史文博系,北京100191

第一机构：北京联合大学应用文理学院历史文博系

年份：2021

期号：1

起止页码：265-281

中文期刊名：边疆考古研究

外文期刊名：Research of China's Frontier Archaeology

语种：中文

中文关键词：砖室墓;川渝地区

摘要：川渝地区汉晋时期墓葬中常见一类跽坐吹奏陶俑,因其深目高鼻、头戴尖帽,手执酷似洞箫的长管状乐器,早年多被称为"胡人吹箫俑"。今已有研究考证先秦两汉文献中的"箫"为排箫,长管状的直吹乐器当为"笛",故为其正名为"胡人吹笛俑"[1]。围绕此类陶俑,有研究从古代民族关系的视角,通过对陶俑所执乐器来源的考察,结合文献中汉羌关系的记载,推断胡俑可能表现了流寓蜀地的羌人[2]。还有研究从中西文化交流的视角,通过对陶俑容貌装束的分析,认为胡人吹笛俑的出现反映了开通西域后中亚乐舞对汉代社会的影响[3]。也有研究从早期佛教流传的视角,通过对汉晋时期佛教遗物中胡人形象的比较分析,认为吹笛胡俑或为胡僧[4]。这些主要以胡俑造型为视角的研究丰富了我们对汉代社会中"他者"形象的认识。但目前所见胡人吹笛俑均出自墓葬,墓葬并非现实生活的单纯镜像,还蕴含着当世的埋葬理念与生死观念,胡人吹笛俑也并非单独随葬.
In the tombs of the Eastern Han Dynasty to the Shu Kingdom in Sichuan and Chongqing,there is a common type of kneel-seated piping pottery figurine.Because of its deep eyes,high nose,pointed cap and playing the flute,it was named"terracotta Hu piper".Around this kind of pottery,research has been carried out from different perspectives such as ancient ethnic relations,cultural exchanges between China and the West,and early Buddhist circulation.These studies,which are purely from the perspective of sculpt,enrich our understanding of the image of"the Other"in the Han Dynasty.However,as funerary ware,terracotta Hu piper does not occur alone,but in the form of a combination with other terracotta figurines in the tomb or plastered on the pottery building,forming a particular scene,which should have a certain meaning.Therefore,this article will focus on the whole tomb,through the comprehensive analysis of grades,attributes of the tombs,the shape,combination,scene of the terracotta Hu piper,then explore its connotation.And through the comparative study with other regions of Han Dynasty,this article discusses the origin,development and causes of the terracotta Hu piper.