文献类型：期刊文献

中文题名：海勒小说中戏仿的后现代性

英文题名：The Postmodernism of Parody in Joseph Heller's Novels

作者：李杰[1]

机构：[1]北京联合大学外语部

第一机构：北京联合大学公共外语部

年份：2009

卷号：36

期号：1

起止页码：102-105

中文期刊名：山西师大学报：社会科学版

收录：国家哲学社会科学学术期刊数据库;北大核心:【北大核心2008】；CSSCI:【CSSCI_E2008_2009】；

语种：中文

中文关键词：海勒;小说;戏仿;后现代性

外文关键词：Joseph I-Ieller novels ; parody; postmodernism

摘要：戏仿的共时性和历时性在文学史的各个阶段被成功演绎,并逐渐成为后现代小说的主流范式。海勒作为后现代主义文学的先锋,在他的六部小说中,通过拼贴和对文学形式、历史故事及高深哲学等叙事策略的戏仿,成功诠释了它在后现代语境中的解构性、互文性和颠覆性,有力抨击了美国后现代人的卑微和无助以及社会的混乱和荒诞。
ParOdy has been explored synchronically and diachronically in different literary periods and is especially preferred by the postmodernist writers. As one of its outstanding pioneers, Joseph Heller employs a series of splendid collages, and imitation of conventional narrative forms regarding historical stories and the profound philosophy in his six novels not only to elaborate its postmodemist deconstruction but also to lash out at American crisisridden society and depressed hopeless people.