文献类型：期刊文献

中文题名：论北京影像文化空间的构成

英文题名：The Composing of Beijing Image Space

作者：杜剑峰[1]

第一作者：杜剑峰

机构：[1]北京联合大学应用文理学院

第一机构：北京联合大学应用文理学院

年份：2007

卷号：5

期号：2

起止页码：11-15

中文期刊名：北京联合大学学报：人文社会科学版

收录：国家哲学社会科学学术期刊数据库

语种：中文

中文关键词：北京影像;文化空间;文化内涵

外文关键词：Beijing image; culture spaces; cuhure forms

摘要：北京是中国电影诞生之地,这座城市在中国电影百年的历程中承载了重要的功能并占据着举足轻重的位置。威仪沧桑的皇城帝都、凡俗平和的平民城市、谨严优越的城中之“城”、繁华虚妄的欲望都市,多元复杂的城市空间。影像之中隐藏独特的影像特质和深厚的文化内涵。
Beijing is the birthplace of Chinese films. Ding Jun Shan, the first film in the Chinese film history was completed in the yard of a photograph studio by name of ＂Feng Tai＂, which was close to the famous ＂Liulichang＂. Ever since then, the city Beijing, bearing all the important content during the one-hundred-year course of the development of the Chinese films, began to form unique imaging characteristics and cultural connotations. There are many forms of composing the Beijing image space： the spectacular and experienced imperial capital, the common and plain civilian city, the critical and superior inside city, the prosperous and delusive metropolis of desires, and the multiple and complex city space. All these forms find their revelation through the Beijing city symbols that are rich in culture and unique in visual images.