文献类型：期刊文献

中文题名：明清马面裙的形制结构与制作工艺

英文题名：A Study on the Shape and Workmanship of Horse-face Skirt

作者：李红梅[1]

第一作者：李红梅

机构：[1]北京联合大学艺术学院

第一机构：北京联合大学艺术学院

年份：2016

卷号：0

期号：11

起止页码：119-121

中文期刊名：纺织导报

外文期刊名：China Textile Leader

收录：北大核心:【北大核心2014】；

语种：中文

中文关键词：明清;马面裙;形制;工艺;传承与创新

外文关键词：horse-face skirt; shape; workmanship; inheritance and innovation

摘要：马面裙是明清女性着装中典型的裙子款式,它代表着中国女性生活史中一个重要的审美理念,即轻视结构、重视装饰、含蓄自然、释放身体的禅宗美学思想,与西方重视结构、突出人体的立体裁剪形成了鲜明的风格对比。对于马面裙的形制结构及制作工艺的研究,在一定程度上对于中国特色服饰风格的传承与创新有着崭新的时代意义。
Horse-face skirt is a typical style of women＇s wear in China＇s Ming and Qing dynasties. It represents an important aesthetic concept in the life history of Chinese women, i.e. thinking little of structure but phtying emphasis on decoration, restrained and natural, releasing the body＇s zcn aesthetic ideas, which is in sharp contrast with western drape cutting which attaches importance to structure and highlighls the silhouette of human body. The study on the shape and workmanship of horse-face skirt is of certain significance to tile inheritance and innovation of Chinese traditional costumes.