文献类型：期刊文献

中文题名：女性主义艺术空间审美观念及视觉形态研究

英文题名：On the Transformation of Spatial Aesthetic Ideology and Visual Formation of Chinese and Western Feminist Art

作者：董琦琦[1]

第一作者：董琦琦

机构：[1]北京联合大学师范学院语言文化系

第一机构：北京联合大学师范学院

年份：2015

卷号：38

期号：6

起止页码：133-137

中文期刊名：山西大学学报：哲学社会科学版

收录：国家哲学社会科学学术期刊数据库;北大核心:【北大核心2014】；CSSCI:【CSSCI2014_2016】；

基金：北京市属高等学校高层次人才引进与培养计划项目"图像中的身体与空间叙事研究"(IDHT201304082)~~

语种：中文

中文关键词：身体;身份;性别

外文关键词：body ; identity ; gender

摘要：在女性主义艺术作为一个术语被提出前,女性艺术实践一直存在,只是碍于社会形态、评价机制、权力话语等因素的影响,其对自身身体的呈现总是表现得相当低调、沉寂且神秘。待女性主义艺术作为一个历史事件发生以来,其一改女性艺术实践行事作风,凭借先锋性和前卫性不仅扭转了传统艺术格局,而且丰富了人类文明经验。文章拟从身体、身份、性别等主题词介入,分阶段展示中西方女性主义艺术实践的同时,旨在强调其在空间审美观念及视觉形态转型过程中明显存在相似性及共通之处。
Before feminist art as a term is proposed, women＇ s art practice has been in existence. Just because of the impacts of social formation, evaluation mechanism, power discourse and so on, the presentation of their own bodies has always been in a fairly low - profile, quiet and mysterious style. Since feminist art as one of the historical events has appeared, it changes the acting style of women ＇ s art practice. With the avant - garde elements, feminist art has not only reversed the patterns of traditional art, but also intends to intervene in the discussion from the keywords enriched the experience of human civilization. The article such as the body, identity and gender, and shows feminist art practice in China and the West stage by stage, aiming at them in the course of transformation of spatial aesthetic ideo highlighting the similarities and commonalities between logy and visual formation