文献类型：期刊文献

中文题名：新中国成立初期国家形象在工艺美术作品中的构建与表现(1949—1966)

英文题名：The Construction and Expression of National Image in Works of Craft during the Early Period of the Founding of the People's Republic of China(1949-1966)

作者：李文文[1]

第一作者：李文文

机构：[1]北京联合大学艺术学院

第一机构：北京联合大学艺术学院

年份：2025

期号：3

起止页码：77-80

中文期刊名：美术观察

外文期刊名：Art Observation

收录：;北大核心:【北大核心2023】；

语种：中文

中文关键词：新中国形象;工艺美术;民族文化符号;国家标识

外文关键词：image of the People's Republic of China;arts and crafts;ethnic culture symbols;national logo

摘要：国家形象作为一个国家的综合表征,包含主动的自我建构和被动的他者认知。新中国成立后,党和国家高度重视并发展工艺美术事业,尤其是1949年至1966年,在新政策的扶持下,老艺人纷纷归队,创作了一批精品力作,其中最显著的特征是对新中国形象的积极建构。现阶段,我国发展进入关键时期,伟大复兴的民族梦交织着复杂的国际局势,国家形象的建构再一次站在时代潮头,工艺美术的振兴发展需要从历史走来,再争取更大的突破和成就。
As a comprehensive representation of a country, national image includes active self-construction and passive cognition of others. After the founding of the People's Republic of China, the Party and the state attached great importance to the arts and crafts industry, especially from 1949 to 1966. With the support of new policies, veteran artists returned to the team and created a number of excellent works, among which the most prominent feature was the active construction of the image of the People's Republic of China. At present, China's development has entered a critical period, and the national dream of great rejuvenation is intertwined with the complex international situation. The construction of national image is once again at the forefront of the times. The revitalization and development of arts and crafts need to start from history and strive for greater breakthroughs and achievements.